Showing posts with label St. Francis of Asissi. Show all posts
Showing posts with label St. Francis of Asissi. Show all posts

Friday, January 9, 2009

More Works of Franco Alessandrini




Another of my favorite sculptures that Franco Alessandrini created is in his home country, Italy. It stands, actually it’s seated, on a stone wall at the Monte Casale Monastery overlooking a magical valley.

It is sculpted in white Carrara marble, the same material Michelangelo used to sculpt “David”. Franco and his family live in Italy each summer, where they live on a mountain top near Arezzo. From here he can more easily supervise the quarrying of the stone he will use for his next project.


I remember fondly how, in 2005, they invited all of us (we were a party of fifteen!) to join their Fourth of July celebration on their mountain top. I believe the entire town was present. It was a perfect melding of two cultures, complete with a roasted suckling pig, a Tuscan flag waver, a local rock band, American apple pie and brownies, and fireworks. After the medieval flag-waving demonstration, my niece beamed with utter delight and exclaimed: “This is just like being in the movie ‘Under the Tuscan Sun’”. I smile when I remember how a small group of us, mostly the teens in our party, broke out and sang “America the Beautiful” and other American patriotic songs during the fireworks.

Little did we know that less than two months later, their lives would be turned completely upside down.


The Alessandrinis returned to their home in New Orleans in time to see Hurricane Katrina come looming into the region. The majority of New Orleans’ citizens evacuated frantically and witnessed the effects of the hurricane and subsequent flood through news reports from their scattered destinations. The Alessandrinis first fled to Texas and then to Italy, where they stayed for one year before returning. The feeling of helplessness and disorientation left a deep-seated feeling of displacement in their souls. Over three years after Hurricane Katrina, in November 2008, Franco Alessandrini installed a sculpture on his rooftop to express the collective sense of displacement in New Orleans.

 


Franco writes:

DISPLACEMENT
The wind starts to blow and the rain beats down on her deck. The waves begin to rock her gently at first then become huge swells likened to those you see on the High Seas. She is pitched violently into the dock time and time again. She is beaten. Desperate.
She panics to free herself, to save herself, as a horse would that is tied in its stall as the water rises.
Her mooring lines snap and she is set free. Set free to sail but faces more peril ahead.
The water recedes and she finds herself in a place she never dreamed of being. 
Under her there is no water where she once glided with the wind. Now she is still. Trapped in this foreign land.
I liken this boat to my soul. The soul that I lost in the storm. My soul that I hope to reunite with one day.
I liken this boat to the thousands of people who were beaten by the winds, rain and leve breaks. 


You may wonder how this 30-foot, 5,000 pound boat is secured up on that roof; here is the structure that holds her:



If you have the great fortune of visiting New Orleans, I hope you have a chance to visit Franco’s studio and see the sailboat on their rooftop at 813 Howard Avenue. Be sure to tell them that dutchbaby sent you.

Images from 
Franco Alessandrini's website. 

Thursday, November 13, 2008

The Frick Collection

Mistress and Maid, 1666-1667 (Zoomable Image )
I am a museum junkie. I spent three glorious weeks in New York City this summer and went to about a dozen different museums. My favorite museum on this trip was the Frick Collection. I visited it three times as various members of my family floated in and out of the city. The museum is in Mr. Frick’s mansion and it houses only the artwork that Mr. Frick himself collected. He had excellent, consistent taste in art which is very well described in the audio tour. In my humble opinion, his collection rivals any museum’s carefully-curated art exhibition. Visiting the museum is a wonderful experience because the mansion is glorious, it is never very crowder there, and the collection is small and very accessible.
I am a huge Johannes Vermeer fan and this museum has three, count them: three!!! I think there are only about 35 known Vermeers in existence. The Frick beautifully displays its three prize possessions side-by-side in the vestibule in front of the staircase. I was familiar with the two smaller ones because they are often seen in print, but the largest one, named Mistress and Maid, I had never seen before.
It is believed to be unfinished, which added to my enjoyment because there was no background to distract from the portraits. It was Frickin’ gorgeous! Breathtaking – literally!
Here are the two smaller paintings:


There was also a fantastic large painting of St. Francis of Assissi by Giovanni Bellini (c. 1430 - 1516) with beautiful colors:


My family and I had the great fortune of going to Assissi in 2005. It was singularly the most inspirational Italian village we ever visited. This painting sent me sailing back to that glorious day we spent there.

The room that housed this painting also had other interesting portrait choices. Frick seemed to enjoy juxtaposing dark and light portraits painted by the same artist in the same room. In this room, he paired dark and light personalities.

In another room he had a pair of very dark full-length portraits by James Abbott McNeill Whistler (1834 - 1903) on one wall:


and on the opposite wall was a pair of very light pastel-colored full-length portraits also by Whistler:


The contrast was powerful. I heard somewhere that Frick was one of the most hated men in NYC in his day. His choices of art probably reflect his complex personality.

If you’re ever in New York City, make some time to visit the Frick Collection.
Related Posts Plugin for WordPress, Blogger...
Bookmark and Share