Showing posts with label Johannes Vermeer (1632 - 1675). Show all posts
Showing posts with label Johannes Vermeer (1632 - 1675). Show all posts

Friday, March 6, 2009

How I Brainwashed My Kids To Come To Art Museums With Me

The Night Watch,Rembrandt van Rijn (1606-1669)
When my children were eight and five, we planned a trip to Europe. My daughter had not been there since she was two and this would be my son's first trip there. I was eager to show them where I came from and I wanted to share some of the same things I was exposed to when I was in elementary school in Amsterdam. I told my kids how once a week, fifth graders would take a field trip to the Rijksmuseum and a docent would give a lecture on one masterpiece. I also told them about our nervous snickering when once a nude was the subject of the week.



I set forth on my brainwashing mission six months prior to the trip. On our weekly trips to the Palo Alto Children's library, I started to toss children's art history and artist biography books in our basket. We read biographies of Rembrandt, da Vinci, and Monet and I brought out my coffee table books on Van Gogh and the Getty Museum. We solved jigsaw puzzles of Monet's water lilies and the Garden at Sainte-Adresse and played the Art Memo concentration game.








My son decided that Van Gogh was his favorite artist and my daughter was eager to visit Monet's garden at Giverny just like Linnea did.








Our first art stop was the Rijksmuseum in Amsterdam, our kids made a bee line for Rembrandt's Nightwatch. They wanted to see if they could discern where the canvas was repaired after a maniac slashed it in 1975. They wanted to see for themselves just how big it really was and they wanted to imagine the painting before it was cut off on all four sides in order to fit it between two columns. They mourned the fact that two characters were lost due to this unfortunate "cropping" of the painting.
When they chose to spend close to a half hour in front of this one painting, I had tears in my eyes, because I then knew my efforts paid off.

Photo by ijansch at Flickr

At the Louvre, they naturally wanted to see "Mona Lisa" like every one else, but there were hoards of people standing in front of them and they encapsulated poor Mona in a box since I last saw her making it nearly impossible to enjoy the painting. They didn't stay long and asked to see Vermeer's "Lacemaker". They couldn't get over how tiny it is, I had to pick my son up so he could see, and they were impressed with the minute details in the painting.




Photo by ijansch at Flickr

Throughout our trip, our read-aloud book every night was From the Mixed-Up Files from Mrs. Basil E. Frankweiler, a book about a brother and sister who ran away from home to the Metropolitan Museum of Art. Our children laughed with glee when the main characters crossed the velvet rope to sleep in a sixteenth century bed and they were curious to see a sarcophagus like the one where Claudia hid her violin “suitcase”.

I used Rick Steves' Mona Winks: Self-Guided Tours of Europe’s Top Museums for all practical information like museum hours, location, and for tips on getting the best deal on ticket prices. Steves’ hint to use the side entrance to the Louvre saved us precious time. The book does a very good job giving the lay of the land up front and then describes the most famous works of art within the walls of these museums. He gives a brief history of this hit parade of art with accompanying black and white thumbnail pictures. I followed his suggestion to break apart the book at the binding (this is very counter-intuitive if you are a publisher) and only carried relevant chapters with me.
We followed Steves' advice and went to the museum store first to choose everyone's favorite postcards of the artwork in the museum and used these as a basis for a treasure hunt. The last thing in the world my kids wanted to do was enter a museum and methodically stop at every painting. On the other hand, asking guards the location of a specific painting and running as quietly as possible through the halls was plain old fun. I learned that the key was to always remember to let them set the pace; I was happy they agreed to set foot in the museum in the first place.

Now, nine years later, my son still enjoys going to museums every few months, but my daughter, except for major exhibits like King Tut, prefers to go shopping with me.

Thursday, November 13, 2008

The Frick Collection

Mistress and Maid, 1666-1667 (Zoomable Image )
I am a museum junkie. I spent three glorious weeks in New York City this summer and went to about a dozen different museums. My favorite museum on this trip was the Frick Collection. I visited it three times as various members of my family floated in and out of the city. The museum is in Mr. Frick’s mansion and it houses only the artwork that Mr. Frick himself collected. He had excellent, consistent taste in art which is very well described in the audio tour. In my humble opinion, his collection rivals any museum’s carefully-curated art exhibition. Visiting the museum is a wonderful experience because the mansion is glorious, it is never very crowder there, and the collection is small and very accessible.
I am a huge Johannes Vermeer fan and this museum has three, count them: three!!! I think there are only about 35 known Vermeers in existence. The Frick beautifully displays its three prize possessions side-by-side in the vestibule in front of the staircase. I was familiar with the two smaller ones because they are often seen in print, but the largest one, named Mistress and Maid, I had never seen before.
It is believed to be unfinished, which added to my enjoyment because there was no background to distract from the portraits. It was Frickin’ gorgeous! Breathtaking – literally!
Here are the two smaller paintings:


There was also a fantastic large painting of St. Francis of Assissi by Giovanni Bellini (c. 1430 - 1516) with beautiful colors:


My family and I had the great fortune of going to Assissi in 2005. It was singularly the most inspirational Italian village we ever visited. This painting sent me sailing back to that glorious day we spent there.

The room that housed this painting also had other interesting portrait choices. Frick seemed to enjoy juxtaposing dark and light portraits painted by the same artist in the same room. In this room, he paired dark and light personalities.

In another room he had a pair of very dark full-length portraits by James Abbott McNeill Whistler (1834 - 1903) on one wall:


and on the opposite wall was a pair of very light pastel-colored full-length portraits also by Whistler:


The contrast was powerful. I heard somewhere that Frick was one of the most hated men in NYC in his day. His choices of art probably reflect his complex personality.

If you’re ever in New York City, make some time to visit the Frick Collection.

Monday, November 3, 2008

The Seed of Inspiration

Relyn posed a great question. What inspires you? Inspiration is a huge word isn't it?

Nature gives me great inspiration. Untouched nature cannot be improved upon. Like a gorgeous landscape:

or a creature in the wild:


Love, of course:




But a perfect painting can also make my heart do cartwheels.



or a great Olympic performance:


or a perfectly prepared dish:


One knows immediately when all the heart and soul has gone into an effort, and that’s when it’s inspirational.

Photos:
Girl with a Pearl Earring - essentialvermeer.com
Michael Phelps - flickr thaines
French Laundry dish - flickr carendt242
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